#i don't know i'm just rambling

[friedwizardwhispers]

I like how the flower kinda represent both Xie Lian and Hua Cheng depending on the characters.

For Xie Lian, Hua Cheng literally replaces the flower during his tale. He has the sword in one hand and Hong Hong'er in the other. When he crushes the flower,it's probably foreshadowing for Wuming's near disperse and at the end of Book 4/6 (depending on what you read), the red flower is a signs of hope for Xie Lian and a symbol the reader automatically associated with Hua Cheng because it is red

On the other side of that, you have Hua Cheng's tale which is him protecting a flower from the rain with the umbrella which is again replaced by Xie Lian being protected from the rain with the umbrella. Hua Cheng have butterflies mainly used to protect Xie Lian.Hua Cheng didn't pick the flower in his name because he saw himself as the flower but because of Xie Lian, right ?

And you could also interpret Xie Lian crushing the flower, from Wuming's point of view as crushing himself and his hope ?

I don't know, I just think it's cute I think how they are both the flowers.

[my-my-my]

Aizen, Calligraphy and Poems (?)

In addition to getting into fountain pens, I have also started to read waka poems, which are Japanese poems. While I’m personally not interested in calligraphy as a hobby, reading about the historical aspects of Japanese calligraphy and waka poems made me curious about Aizen’s relationship with calligraphy, and by extension - poetry. We don’t know much about him in relation to those two things other than:

Aizen enjoyed Japanese calligraphy/considered it a hobby

He was so good at calligraphy that he was teaching it at the academy

Hinamori began to practice calligraphy during his captaincy and he held monthly calligraphy sessions for his squad

Aizen had a column in the Sereitei Communication called “The Yin of the Pine Needle”

Japanese calligraphy is a subject often taught to children in elementary school, but it has even older historical roots tied to professional warriors of the bushi rank (samurais are a part of this ranking system). These warriors were trained in bujutsu – were bu means war, and jutsu means technique, and budo. Budo doesn’t quite have a direct translation, but some describe it as the “martial ways to peace.” Even within budo, there were two “emphasis” students needed to focus on: 1) bu which were war and combat strategies, and; 2) bun which were Japanese literature and fine arts. Warriors of the highest ranking were expected to learn all of this, and some students were even expected to learn the flute (shakuhachi), Noh dancing (shimai) and flower arrangement (kado – which was one of Unohana’s hobbies!).

Japanese calligraphy, known as shodo was considered a vital part of a warrior’s training – so it is of no surprise that the Soul Academy, would incorporate it in their curriculum as a class, in addition to kido and sword fighting training.

But why is shodo so important to a warrior’s learning?

Well to many warriors, if sword fighting was considered a reflection of one’s mind (see my post here about Aizen and Kyoka suitgetsu), then shodo is the physical representation of the artist’s spiritual force. Shodo is more than just writing – it is a visible way to sense a warrior’s mental and physical condition. For centuries, leaders in Japan were expected to be strong calligraphers, and some of the best sword fighting masters in history, such as Miyamoto Musashi, were also regarded as some of the best calligraphers of their time.

Each brush stroke must be precise and unwavering – there isn’t room for corrections. An artist must be decisive once the brush hits the paper. The same can be said for sword fighting. You do not swing your sword “hoping” you will get a strike; you swing your sword because you are certain you will strike. Just like in any of the combat arts Shinigami must learn, mistakes are ultimately final in shodo.

Just like handling a sword, holding a brush is also a particular skill. Some teachers in shodo will grab brushes out of their students hand to check their grip. But the trick is that you can’t have too tight of a grip, as your brushstroke becomes rigid and your writing becomes static. Thus, you must be concentrated, but also relaxed. Shodo has an emphasis on balance and flowing, dynamic characters, just like with sword fighting. It’s why there’s often difficulty in painting a straight line, because your mind and body must work together as a unit. Once your brush hits the paper, your hand must paint without hesitation – your thoughts are free as they are focused on the “here” and “now” of painting. Aizen, who had a strongly concentrated mind, was also relaxed – his fight with the Gotei 13 in Fake Karakura Town is an example of this.

I already talked about this in a previous post, but Kyoka suigetsu acts as a metaphor for visualizing before striking. Shodo has a similar concept as well. Skilled artists should be able to visualize the kanji they’ll paint, and then make the decision for the first brush stroke. It would not surprise me if the Soul Academy then made calligraphy an elective because for students to be relatively decent at calligraphy, it would be a safe assumption that they would be good with a katana. Both require accuracy and skills to be effective.

Aizen was already a master sword fighter, so it is then, of no surprise, that his calligraphy skills were also unparalleled. While it’s a shame we don’t see any of Aizen’s calligraphy work, he was recognized in his skill in it that he became a teacher. I also wouldn’t be surprised if this was his way to “vibe check” students as potential conspirators with him, because of the underlying assumption that brush, katana and mind are one.

Calligraphy is just one aspect though; some calligraphers were also talented poets! One specifically that comes to mind is Sugawara no Michizane. To be honest, Aizen kind of reminded me of an evil version of him lol. Sugawara no Michizane was a poet, scholar and politician employed to the Emperor of Japan. Long story short, a political conflict arose, where two other clans working for the emperor made comments that suggested Sugawara was trying to usurp power from the Emperor. As such, Sugawara was exiled from the imperial court.

Another fun fact about Sugawara no Michizane, he had a favourite plum tree in the imperial garden! So much so that on the day of his exile, he wrote a poem for it: When the east wind blows/ let it send your fragrance/ oh plum blossoms. / Although your master is gone/ do not forget the spring. The legend goes that Sugawara missed this tree so much that it flew to him during his exile. This gave the plum tree the name: tobiume.  

Sugawara died not long after his exile, but the imperial palace, and those who wronged Sugawara, experienced dreadful things. Specifically the Emperor’s palace was destroyed through a fire… which was triggered by lightning. Such as the fall of the Sereitei during the first invasion of the Quincy after Aizen’s defeat (Sasikibe dying and Yamamoto burning Squad 1). While Aizen is indeed alive, the imperial court were incredibly superstitious and made temples in honor of Sugawara. And we have Shunsui (temporarily) releasing Aizen for the war (I admit, this connection is a bit of a reach!)

As for poetry, I again, wish we had an example of some of the things Aizen wrote, but the Yin of the Pine Needle is an interesting title for a reoccurring column! He wrote 50 volumes for it. (For context, Unohana’s column had 1041 volumes.)

In Japanese flower language, pine needles (matsuba) symbolize harmony. The “yin” in Aizen’s column’s title, is a bit more ambiguous, because yin can mean different things in this context. Yin can represent assimilation, quietness, sluggishness, psychological or spiritual work, it can also be interpreted as suppression when yin is associated with emotions. Regardless of what exact meaning Aizen’s column was meant to be, it would be a safe assumption that Aizen was publishing something that was could have been a critique, commentary or something where he’s pointing out the “harmony” either within Soul Society or something more ambiguous lol, is not what it seems.

Here are my rambles, thanks for reading! Would love for Kubo to write more Aizen, but alas! I'm always going to overthink the crumbs we get of Aizen's character lol.

[tommykinardkink]

So, I think it was @buckttommy who wrote something about Tommy having the realisation that he was too late, that Buck and Eddie were already in love (thanks for that psychic damage btw). That maybe if he’d shown up just a little earlier, visited his old firehouse once in the five (seven? who even knows at this rate?) years, maybe things would have been different.

But now I’m picturing Eddie realizing that he’s too late. He looks back on all the… not missed opportunities (because all the little things we go crazy about are also all things that have cemented their friendship) … but the moments where they could have had more and just didn’t take that step. And Eddie knows that Buck will always love him, but now, after this, he may never be in love with him. If Eddie had been ready, if he’d been able to work through Shannon’s loss in a healthy way, Buck was right there. He thinks back on all the moments where they could have just tipped things in the other direction. Because everything he’s sort of romanticised in his relationship with Shannon would be there if he took that step with Buck. His best friend, his confidant, a co-parent to Christopher, the love of his life, was right within arm’s reach.

Only now… Buck’s with someone else. He’s happy with someone else. And Buck’s still right there, but he’s also never been further away.

[kits-ships]

shinobu, mitsuri, and ione having a sleepover to talk about boys except none of them understand romance or love 👍 shinobu gets scientific about it, mitsuri makes up over-the-top, cutesy scenarios that would never happen, and ione tries to do a psych eval of every man ever. had they been anymore sleep deprived they probably would've started writing a book

[mildlybizarrecorvid]

Yeah, the joke was mostly that that's another thing to potentially complicate existence if it's accurate. Rather subpar arrangement of world we've got currently, though it is definitely better in that regard than previously. I've also been peer reviewed a few times apart from this, both from someone at a rainbow group and a college chemistry teacher (who had been peer reviewed by a previous class made up either entirely or almost so of neurodivergent folks)

god I would be UNSTOPPABLE if I was capable of consistently initiating tasks. just you wait. you'll be waiting a while but just you wait

[point-defiance]

bloodstains

it's kind of weird the way that we see parts of people we've known in the words and looks that come from strangers.

i see parts of you in every poison seeped sentence that leaves her mouth, despondent. i see the stones you throw in the way he lashes out, wounded more by my bruises than what caused them to form.

i remember the nights you would follow me, twisting every word i said into a dagger to stab yourself with. as you splashed me with your gushing blood i would question what i had done, how this had happened, what could i do. do i wash the blood off of myself or do i bandage you? anything to make it stop.

i never think of you when i feel loved. i never think of the way my jokes brought this certain snicker out of you or the way that you smiled fondly at the stars on that starry smokey night.

none of this is worth telling you. it'd just mean more stains to wash out.

[theconchaverse]

the only downside to reading again physical books again, is that I don't have a TBR list.

I don't know what I want to read now, as a 21 year old woman who's been exclusively reading fanfiction for the last 6 years of her life. Like, I don't know who I am as a reading anymore, and that's kind of sad but also very exciting cause the entire world is out there, mine for the taking

[artist-rat]

some epilogue vibes (an excuse to draw some hugs. and my durge so many times)

[hexedwinchester]

i know Jared doesn't come from modelling background but damn that man can walk a ramp! 😍😍😍😍

[sev-ille]

I may be pointing out something completely obvious, but Round 7 takes place immediately after Round 6?

Like immediately after.

Hyuna is still there, bleeding. Like it's so unlikely that Mizi and Hyuna have just been roaming for days. Like after round 6, it's been maybe a few hours at most?

My thoughts are a mess rn but damn that sucks for Till if that's true (not that it doesn't suck if it's not).

Ivan dies in front of him, then he has a change of outfit and immediately has to move onto the next Round. No wonder he looks so fatigued, like he's about to pass out at any moment.

Did he even get to eat or drink anything? I wouldn't be surprised if he didn't, but still.

[teaboot]

Sometimes at work it's not my place to tell people the things I want to say, and I find I often go home at the end of the rougher days to stand blankly in my shower and tell myself over and over what I wish I could pass on.

This accomplishes very little, and mostly just gives me a tension headache, but through it all I think I've narrowed myself down to a few solid things I'd like to tell people the most.

You can't change people. Not permanently, not for anythig. You can support them, encourage them, love them, give them tools and opportunities and resources, but you can't make them change. They can change themselves if they want to, but they have to want to, and they have to want it for themselves, because they're the only one that's certain to be with them forever.

For better or worse, you make your own choices, and blaming bad choices on others doesn't only work to absolve you of responsibility- it also robs you of control. Because if you say you only did something because I did something, then you arent only shifting blame- you're admitting that you cannot control yourself, that you cannot truly make choices for yourself, that other people can control you- and as long as you truly beleive that, you'll keep facing the same problems over and over. You'll keep letting others dictate your choices, because you'll beleive that they can, and you'll never be free.

White knights on horseback are from fairytales. Nobody can help you if ou're not willing to help yourself. To try, to put the dirty work in, to belive you're worth that effort- Act as though nobody is coming to save you. From a struggle, from pain, from bad relationships, from yourself. And when you do save yourself, because you will, because failure here isn't an option if you want to survive, you'll never find another dragon that can keep you prisoner.

Don't say anything to anyone that you wouldn't want them remembering forever.

Doing the right thing in bad circumstances is hard. It's the hardest thing. But if you make the choice to do that hard thing anyways, despite your fear, you'll go on the rest of your like knowing that you're the sort of person who did something.

The present only seems the hardest because the past I over and the future hasn't happened.

There's so much joy ahead of you, the kind you can't possibly understand until you see it yourself.

The responsibility of consequences is often disguised as the power of permission. "I won't do this if you help me", "I'll work on my anger if you do this for me", "I promised you I'd quit, but can I have just one?". The unspoken question is, "Can it be your fault if this goes badly?"

You cant make someone love you the way you need to be loved. Someone can love you very much and still be bad for you, even if you love them very much in return. Two people can love each other very, very much, and try their very best, and still be wrong for each other.

Sometimes being near to someone changes you, even in good ways, and the people you become don't fit together as well as the people you were.

Caring takes work. Even if it's real. Especially if it's real. And the most important gestures aren't the grand, poetic, songs-and-flowers-and-tears moments; they're getting out of bed even though you don't want to. Paying attention to things you don't enjoy. Scrubbing pans, or opening a window, saying "thank-you", or helping carry groceries into the house. The small things fill the big things- without the small, boring, mediocre things, big things feel hollow.

Thrre is honour and dignity in humble work.

If you are a cruel and spiteful person, then you will find every place you visit to be full of the same cruel, spiteful people. This is not because the world is as cruel as you, but because everywhere you are, you will be disliked. This is the curse that comes with being persistently cruel and spiteful.

If you are a kind and ppsitive person, you will repeatedly encounter kind and positive people, because as they grow familiar with you, they will be happier to have you near. This is the reward of being a kind and positive person.

When splitting paths with loved ones, briefly or forever, aim for your last words to always be "I love you".

[technically-human]

Hey, don't cry. Ghost yuri, okay?

(Now that you know the girls, they need to meet the boys!)

[lazylittledragon]

i'm in one of those phases where i really wish i believed in manifesting and spellcasting and things like that bc you know when you want something so bad you're literally praying for the universe to let it happen

[herewithinthevoid]

[cangrellesteponme]

wife

[babacontainsmultitudes]

RIP Will Campos the only person who was murdered this episode.